Chromeku: Snowsky Geese

Snowsky northward geese.

Icebound sunsong daffodils.

Changing of the guard.

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Chromeku: Morning Mooning

Before coffee she

becomes

(moon) skies (beautiful)

outside our bedroom.

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Chromeku: House Kids

Sky shouts “Blue!” Goldfinch

swaps green cloth for yellow. Where

are the kite flyers?

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Chromeku: The Looking Glass

AYn’s magic mirror.

Wesley Mouch looking in.

John Galt looking out.

Senryu?

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Chromeku: April 6, 2022

Thaw waters high, swirling by;

Crazy eddy babble song.

Cranes dance. Kite-winds sigh.

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Fast Poem 23: An Old Man Contemplates Revolution

Sequential gusts smash the porch

like desperate, invisible soldiers breaking against bulwarks

with persistent, insufficient shoulders of air.

Between surging assaults,

sudden stillness promises quiet peace,

then ragged treetop whispers

escalate to window rattling howl

and beyond reason to mindless roar.

Determined, unseen waves break again against walls

with door slamming boom.

Walls hold.

Banshee whistles disappointment

along resisting eaves.

Should winds continue, as stories say rains once did,

40 days and 40 nights without rest,

survivors, sleep deprived

by noise and barometric instability,

will have gone mad

The cat pays small attention,

though she seems reluctant to de-lap,

glass needle claws slightly hook, like burs of dock,

into worn folds of this threadbare robe.

Tomorrow and the next day,

downed branches dragged

and blown leaves raked to curbside pickup,

cat and lap shall again embrace to dream

of tall prairie, errant mice, sunlit shadows

and gentler, more obedient skies.

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Publishers Block

What would cause a writer who enjoys writing to let his blog stagnate for more than a year?

You might suspect Death, solver of all problems and pooper of all parties, recycler of all things fleshy, collector of final dues and eraser of memory arrived on the writer’s stoop to close all accounts, past, present and future. You would be wrong. Though my office smells stale as, which I attribute to an old sandwich, not recently pedicured feet or a farting cat, I assure you Mr. Black has not been here to visit.

Alternately, you might think a blog lying dormant for more than a year indicates the writer’s life, without warning, blossomed with overwhelming delight, crowded the writer with awe and wonder and left no time to scribble and share Nature’s exuberant generosity. Though I find myself occasionally paralyzed by the ambient mysteries of sunrise and bird song, this is not my excuse.

A blog lying dormant for more than a year could result from an immersion in congenital laziness, an unfortunate option to keep open.

Or, a blog lying dormant for more than a year might indicate the writer suffers the disease of the blank page and was deeply infected with writers block; perpetually empty pages cloaking space, time and imagination. Not so. I am a coffee addict who drinks a carafe or more each day and continues to write, as I have for decades, a few hundred words with every cup. Writers block is not the cause for my neglect.

Writers block, no but publishers block, yes. Publishers block.

Words arrive, flow through the pen onto the page, but when it comes time to rewrite, to sew the seams and tie up loose ends, an irritating voice screams “No! It is not enough.”and I listen.

I do not think I am the first writer to suffer publisher block. By all accounts, several favorite writers went to press kicking and screaming, dragged to print by determined editors, unsung heroes of literature making immeasurable sacrifices in an eternal effort to put the words of reluctant writers in readers’ hands.

Publishers block does not get the media attention enjoyed by writers block, but the Internet might change that. Back in the day, editors did more than push writers to deadlines, they edited copy, managed page layout, suggested topics and insisted on changes. Hell, an established writer with adequate stories could consistently deliver rough drafts and let editors worry about typos, verb agreement, apostrophes and homonyms. The language of our favorite books originated with our favorite authors but they were honed and polished by a team of professional honers and polishers. On the world wide web, we have no such support group. We do it ourselves, all of it: write, rewrite, text-edit and layout. When we finish, we start trolling the InterWeb for our next topic.

Publishers block comes as no surprise.

I consider myself a good writer, but at copy-editing I suck. Like some but not all writers, when I get into the zone usage goes out the window. I frantically scribble as many thoughts as possible before inspiration dissipates. Drafts teem with misspells, varying points of view and illogical jumps. Rewriting fixes some but not all trouble spots. Meanwhile, editing techniques introduce new crap as old crap is eliminated. Imagined deadlines force fingers to hurry and, as we all know, haste makes mistakes. I know how language works but lack of focus and weak eyes make for sorry-assed text-editing. Perfection hovers out of reach and seeking it I suffer a flow and ebb of success; rewriting my boulder to the top of the mountain then watching my efforts crash to the valley, pulled by the embarrassing gravity of typos, paste errors and incomprehensible phrasing.

Complicating the usage issues, content insecurities wriggled into the mix. All recent efforts wallow in self-examination (boring as hell I assure you) and politics (the most offensive distraction of modern civilization). Faced with error ridden posts predestined to bore and offend, I decided to walk, then walk, and yet again, walk. My clothes fit better but my blog disappeared from search engines like fog under a hot, morning sun.

I know. I know. You are thinking “Stop whining and get over it.” And so I shall. As matter of fact, if you are reading this, as boring a piece of introspection as any, I did get over it. I decided to bore you rather than ignore you, and then I made a rhyme.

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Business Reads

[audio:http://files.getdropbox.com/u/375985/BusinessHorner.mp3]

Commentary on Business Reads

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Developing Voice

A cu p of want, a teaspoon of imagination and an ungreased cookie sheet is all we need to bake up a few poetry specific voices. Methods for mixing and icing will vary from person to person. Variety makes the world go round, brings spice to our lives and lays the cornerstones of individual thought; the useful path for one person often proves unattractive and unenlightening to another. None-the-less, it helps to know what worked for others. Below, find a general approach to developing new poetry voices stepped out and ready for assimilation, modification and regurgitation as you concoct your unique approach.
The Suggestion
When developing voices, internal or external, specifically for reading poetry accept the need for iteration and time investment.

1.

Choose a favorite poem with little obvious complexity. Shorter may be better as memorizing part or all of the poem makes exercises easier.

2.

Identify a voice you would like to hear: Uncle Fred; Foghorn Leghorn; Prospero; Jean Luc Picard; John Keating, any voice that seems appropriate; select and focus on one voice as you follow these steps to make it complete.

3.

Read the poem you’ve chosen and imagine the voice you selected reading the poem aloud to you. If you stumble on syntax, let the voice determine where to pause, not pause, stress and not stress. The voice and your ear will know.
Concentrate on the voice as you read. Make the voice as strong, clear and unhesitating as possible. Do not worry about meaning but look for the rhythm and music inherent in the spoken words. As the music emerges, our subconscious builds our response to the poetry; that response defines meaning for us.
Occasionally we encounter barriers to developing the new inner voice. Speaking aloud can help. Even those who dislike the sound of their external voice can use that voice as an occasional tool.

4.

When reading, we encounter phrases and words and realize we do not know enough about the voice we are trying to mimic; how would the voice read this phrase; these words? When this happens find recordings of the voice in performance or interview. I personally find interview more valuable unless the character is fictional, like John Keating. Listen to the recordings, listen for details of the voice. Your inner voice will blossom, filling in the blanks.
Repeat steps 3 and 4 until you feel comfortable with the voice.
Repeat all steps to develop voices two, three, four and more.
Have a good time.
© 2009 Chrome Poet

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How to Read Poetry – Natural Hearing

Hearing as I read feels natural. Truth told, it takes considerable concentration to imagine any other way to read. When I hear words, with inner or outer ear, processing just happens. Context in reading emerges as quickly as in conversation.
Originally, poetry was meant to be heard, recited. We now rely on books for delivery. Most of us read alone but we can develop special voices to render poetry and come close to the original poetic experience.
People with voices already hear or can learn to hear, with inner voices, poetry. I suggest developing inner voices specially for poetry to help sneak past our tendency to analyze; to allow sounds and rhythm of inner voices synthesize, from the poetry, a new experience. In this new, sonic experience, we feel the unique relevance a poem has to us, as individuals. This in direct contrast to the dry, what do poems mean, general analysis and critique of Scientific Style. From sound alone, an arcane acumen emerges, a delicate ken achieved without immersion in theory, metric feet and deconstruction.
© 2009 Chrome Poet

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